The Circumpolar podcast deals with Arctic geopolitics, governance and security.
In this episode, recorded during the fifth Arctic Art Forum symposium in Norway, Ruth talks about making work in places where climate change is most acutely felt and least visible from the outside. She discusses her collaborative film A Forest Tale, shot in the Russian Arctic just weeks before the full-scale invasion of Ukraine, and her more recent film All the Tears in the Sea, made during a residency in Svalbard. The film weaves together encounters with glaciologists, conservationists, reindeer, mining towns, and the strange hum of wind through Longyearbyen’s lampposts.
The conversation moves between the personal and the geopolitical: how art can hold complexity without simplifying it, why Arctic decision-makers need to listen to the people and species who actually live there, and how showing agency rather than helplessness might be the most important thing a film can do. As Ruth puts it: geopolitics is not a game of chess, it’s a symphony.
The Circumpolar podcast is supported by the Fridtjof Nansen Institute and the Arctic Institute.